Obviously, this post was written much closer to the award ceremony
but published on Yellow Bunting on Saturday.
The BAFTA television awards have just passed and while there
were a few givens (Olivia Coleman won both awards she was nominated for and
currently holds the title of Number One Person you want to sit and have a cup
of tea with) the rest of the bunch was varied to say the least.
But how much of what was shown accurately reflects what we
as viewers are tuning into week in week out? The BAFTAs are decided by critics
rather than voted for by the public like ITV’s National television awards and
therefore has that air of gravitas. This is high culture right here, the stuff
we should be watching. But is it?
There was one single audience award comprised of Homeland, Game of Thrones, Call the
Midwife, Strictly Come Dancing, The Great British Bake Off and the 2012
Olympic Opening Ceremony. Surprisingly for some Game of Thrones took the prize (and delivered a very stilted
acceptance speech) but some of those nominated were not recognised in
any other category or they were in limited categories that don’t received as
much attention or are not perceived of as important.
The one thing apart from that that all those shows have in
common is they are labelled as ‘populist’, usually by those who use the word in
a derogatory way. They draw in huge audience numbers (Sky Atalantic saw a 1700%
increase in viewers for the Monday night slot when GoT series three debuted) and generate a load of interest from viewers
but are not always critically acclaimed or if they are praised then there is an
exception to them receiving wider acclaim and more nominations.
For example no one doubts the high quality and production
values of GoT but it is often
analysed within the parameters of genre since it is a fantasy show. Call the Midwife is Sunday Night Fluff,
(Good Lord I hate the word “Fluff”) Bake
Off is quaint Britishness, indicative of the twee WI wannabees sub-culture,
Strictly is a guilty pleasure and Homeland is foreign so despite a British
lead actor we can’t take credit for it and use it as a way to bemoan the lack
of “slickness” on British TV.
In a way that can only be described as Hispster-esque, the
word populist has negative connotation because of the idea that if something
has mass appeal then it is automatically less deserving of our praise and
conversely something is only praiseworthy is it has been seen by less than
thirty people.