Wes Anderson is an example of the first as the climactic scene in The Life Aquatic with Steve Zissou shows.
At this point in the film Steve (Bill Murray) comes face to face with the shark who ate his friend and who he has sworn to kill. He has also lost his not-Son, alienated his crew, driven away a group of unpaid interns (except one), been attacked by pirates etc. The music gives the scene a gentleness, accentuating the beauty of Henry Selick's stop motion sea creatures and capturing the peaceful resignation of the film's protagonist.
Crucially it builds on the rest of the film's soundtrack which mostly consists of Seu Jorge singing David Bowie songs in Spanish. Needless to say it is an awesome soundtrack.
Hamish Gibson lists his top uses of Sigur Rós in film (including the above clip) here, give it a read!
don't forget Ludovico Einaudi, Shane Meadows LOVES to overuse him
ReplyDeleteYup, there just seem to be some pieces of music/artists that work as shorthand for lazy filmmakers.
ReplyDeleteHalleluja by Jeff Buckley must be the ultimate TV example. Stop using it people...